History

Read my coverage of past contests by following the links below:

Vienna 2026
Basel 2025

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Statement on the Eurovision Song Contest 2026

My coverage of this year’s Eurovision Song Contest would be incomplete without discussing some of the major controversies surrounding the contest, and particularly the issue of Israel’s participation. I hope that this statement will outline my thoughts on the matter, and justify my decision to continue my Eurovision coverage this year. Eurovision has always presented itself as an apolitical space: a celebration of music, culture and togetherness that transcends borders. Yet this claim has never fully held up to scrutiny. The Eurovision Song Contest is inherently political – not because every song carries an explicit message, but because the competition is built on nations, representation and visibility. Decisions about who participates, who hosts, which flags are displayed and which narratives are permitted are unavoidably political acts. To pretend otherwise is to misunderstand what Eurovision is and always has been. At its founding in the aftermath of the Second World War, Eurov...
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Eurovision 2025: Semi-Final 2 Results Analysis

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The second semi-final of the Eurovision Song Contest 2025 saw sixteen countries become ten in a battle to qualify for the final. Just like the first semi-final, the eventual result was very close, and also threw up a few surprises, so once again I think it’s time to dive into the numbers and find out what the scores on the doors really mean for these participating countries. Before we do, however, I would recommend you read my previous article , which was an analysis of the results of the first semi-final, if you haven’t already. For the avoidance of confusion, I will once again clarify that the results of this semi-final were determined solely by televoting in each participating country, as well as France, Germany and the United Kingdom, voting as pre-determined automatic qualifiers, and an aggregated ‘Rest of the World’ vote. I’ve shared before on this blog that I don’t agree with this system, and would definitely favour the re-introduction of juries, but this is where we are at the ...
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Eurovision 2026 Reviews: Part 3

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It's time for me to scrutinise some more of this year's Eurovision line-up. I've really been enjoying writing my reviews this year, so I hope you enjoy reading them. Please do share any thoughts with me either in the comments or over on Bluesky; I'd love to hear what you have to say! This time, I'm talking about Armenia, France, Greece, Poland and Portugal. Greece: Akylas – “Ferto” “Ferto” by Akylas is one of those Eurovision entries that arrives with a wave of online enthusiasm and immediately splits opinion. On paper, it has many of the ingredients of a contemporary Eurovision success: a hyper-stylised production, meme-ready hooks and a performance style clearly calibrated for variety. But despite its undeniable energy, I think this song also serves to illustrate the limits of its formula. The studio version of “Ferto” is slick to a fault. Musically, it sits somewhere between dance-pop, Eurodance and pop-rap, blending Mediterranean textures with a relentless, ...
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